Tuesday, May 6, 2008

Introducing Stephen Shapiro

Stephen Shapiro was born and raised in Toronto. As a child, he was an avid reader and his first favorite book (or so his parents tell him) was Jelly Belly by Dennis Lee. When he was a little older, Stephen began to read as much as possible about history, including the occasional book beyond his level of comprehension. The first book he ever bought was a handbook on warships. His parents, after an initial period of shock, were supportive of this interest. They even allowed themselves to be dragged around to more forts, museums, and ships than they had ever wanted to see. In exchange, Stephen agreed to be dragged to art galleries (though he still complained). Surprisingly, Stephen reads more children’s books today than he did when he was younger, no doubt because his mother is a children’s book designer. Stephen now counts Loris Lesynski as one of his favorite children’s authors.

His latest book, The Siege: Under Attack in Renaissance Europe (2007), takes you inside the walls of a besieged community and also behind the lines of the attackers. Brought to life through dramatic storytelling and vivid illustrations, The Siege is an exciting look at Renaissance life during military strife.

Battle Stations! Fortifications Through the Ages (2005), features over 14 cunningly designed defences from around the world, both past and present.

As a lover of history and books, Stephen has always enjoyed reading about World War II--he just didn't enjoy writing it down until he co-authored (with Tina Forrester) Ultra Hush-hush: Espionage and Special Missions (2003). Stephen cites the non-fiction writing of Tom Clancy as a major influence for this book, particularly the author's ability to make military topics accessible and interesting to the general public--something Stephen hopes his own books can do for kids.

In the tradition of Ultra Hush-hush, Stephen wrote Hoodwinked: Deception and Resistance (2004), which plunges readers into the secret strategies and underground battles that helped turn the tide of WWII. Presented with historical accuracy and engaging storytelling, Hoodwinked tells 18 true, gripping stories from both sides of the conflict.

Stephen’s main interest is still history, just as it was when he was young. Although he dabbled in stamp collecting for many years, he finds he has less time for that now. In many ways, what interested him about stamps is what interests him about history: the thrill of the chase. With stamps it’s identifying, from a trail of clues, a stamp you’ve never seen before. With history, it’s the same process, except instead of stamps you’re working with facts.

Eventually, Stephen would like to write about history full time. With an almost infinite amount of material to work from, he says, the biggest challenge in writing about history is selecting the best stories. Naval history is an area full of particularly exciting stories that Stephen would like to explore in the future … and it might even give him an excuse to learn how to sail.

More from SAAM: Interactive Art

In addition to the multimodal "George Catlin: An Encounter of Two Cultures," which I posted about recently, the Smithsonian American Art Museum offers other great American art resources, like explorable paintings, video footage on art in the White House, and virtual tours of contemporary art. A few standouts from SAAM's "Interactives" page include "del Corazon," a bilingual site on Latino/a art; "Restoration of an Artwork;" and "Monotypes," a series of videos on the monotype process.

del Corazon can be viewed in English or Spanish, great for blending art and language study. The site has a teachers page, Profesores, with downloadable posters and guides and resources for using del Corazon with students. Artistas features six videos of artist discussing their work and personal identity; this month's Artistas features 1 Latino and 5 Latinas. Twelve artworks in Galleria attempt to convey the Latino/a experience in the U.S. Passing your mouse pointer over each mini-painting on the page reveals the name of the painting. One click brings up a bio of the artist and background on the specific cultural experiences and beliefs that contribute to the painting. That's just scratching the surface because there is a lot more available at del Corazon.

Restoration of an Artwork: Conservator in Action features a three-minute video in which SAAM conservator Ann Creager discusses and restores "Portrait of a Man" by William H. Johnson. The video compresses "several months" of work into a short video. (The Quicktime plugin is needed to view the video.) Creager demonstrates some of the techniques she used. This one is quite short but is very powerful; unless you can get your students to SAAM's Lunder Conservation Center in D.C., this may be their one chance to see what painstaking and loving work goes into restoring a painting.

Monotypes offers a series of short videos that demonstrate this printmaking technique. What makes this great for middle school is that monotyping takes no special expertise or equipment and can be "made by drawing with printer's ink or oil paint on a smooth surface such as glass or a metal plate." The image is then transferred to paper using a printing press or something as simple as the back of a spoon, your hand, or "even the wringer of an old washing machine." This could be a great project for an art class. You can see the full movie as streaming video, which requires the Vivo plugin, or watch the individual clips in or out of sequence depending on your students, needs or projects.

Check out SAAM's other great interactive offerings. Especially interesting and great for individual study or enrichment is the series "Speaking of Pictures" which lets students learn about particular details of a painting by moving a mouse cursor over the image.

SOURCE: "Interactives" 2008
photo courtesy of Robert ___T, used under this Creative Commons license

Monday, May 5, 2008

Award-Winning Gaggle.Net: Safe Email for Middle School


NewsBlaze reports that Gaggle.Net, which provides email services to schools, has won the BESSIE Award in the Middle School Category for Best Communication tool. Gaggle.Net was chosen for providing safe email designed specifically for K-12 schools.

ComputED Learning Center, a computer education resource in San Diego, CA, recently selected its 14th Annual Best Educational Software Awards, meant to highlight "innovative and content-rich programs and websites" that promote "educational excellence." There are awards in Early and Upper Elementary, Middle School and High School categories. Gaggle won one of only 2 awards given out for middle-school technology. (Present and past winners can be found at ComputED's website.)

Gaggle has three versions of its email: free, subscription and licensed server. Gaggle lets teachers block spam, review and automatically monitor student emails, block pornographic emails and curse words, and even block students from receiving emails from outsiders. Because it is Web-based, there's nothing to download and students can access their email anywhere, and both the subscription and licensed server versions are ad-free.

Teacher accounts contain tools to monitor and control student email. Teachers can screen any incoming or outgoing email. The monitoring system looks for specific words and sends any emails with those words to the teacher's Blocked folder for review. Email addresses of incoming mail can also be monitored to protect students from spam or interlopers. Teachers can have students sign up or can register them themselves. And any teacher can suspend a student's account or reset his or her username or password.

Gaggle has a Learn More page and a Q&A page for more information. The company is also looking into expanding its safe communication tools for students. Gaggle's About page says the company is working to soon offer new features like:
  • Internet projects that can safely connect teachers and students from around the world
  • Internet homework centers
  • Online video conferences
  • Blogging tools for students and teachers
  • Parent Accounts
  • Student Pod-Casting Tools
SOURCE: "Gaggle.Net Honored With a BESSIE Award" 5/1/08
SOURCE: "About Gaggle.Net" 2008
photo courtesy of gruntzooki, used under this Creative Commons license

Friday, May 2, 2008

Free Videos from C-SPAN


In an election year, it might seem like enriching resources for civics, government or social studies classes are easy to find and use. But do you have the couple of TiVos and extra hours needed to search, edit, download and prepare videos for class tomorrow? Middle school teachers looking for online resources can find great ones, almost all of them free, through C-SPAN, cable TV's non-profit public-affairs service. Katie Ash in Education Week's Digital Directions reports on the C-SPAN Classroom website which offers free video clips and standards-based resources to educators.

The available videos at C-SPAN Classroom are culled from C-SPAN programming, ranging from Washington Monthly's call-in show to Senate and House footage and international events. The videos and resources come in six categories: principles of government, the U.S. Constitution, the legislative branch, the judicial branch, and political participation. If you are registered, you can view and download the video clips for free to use as you wish in your classrooms. A sample page provides links to some 2006 video clips to give you an idea of what can be available. Another great feature is the ratings system -- teachers can rate videos and direct each other to particularly well-done or powerful clips.

Once you're registered, you get other benefits. In addition to access to C-SPAN's video database, you have access to:
  • classroom resources linked to national civics and government standards including discussion questions, worksheets, quizzes, and graphic organizers, most teacher-created
  • free classroom posters
  • email updates
  • eligibility for contests and C-SPAN's Teacher Fellowship
  • access to a toll-free hotline for educators who have questions about using C-SPAN resources.
Though many of the resources are aimed at high school, middle schoolers can definitely benefit, especially during this election year, from a closer look at how government functions. It makes civic participation about real people. Plus, some middle schoolers would probably love to compare and contrast the somewhat formal and often-empty Senate chambers to the usually raucous Prime Minister's Questions in the British House of Commons.

SOURCE: "Top Picks: Go-To Sites for Educators" 5/1/08
SOURCE: "C-SPAN Classroom: Benefits of Registering" 5/1/08
photo: screencapture of the C-SPAN Classroom page

Thursday, May 1, 2008

Multimodal American History from SAAM


There are lots of great STEM (science, technology, engineering, math) resources online and off but they shouldn't overshadow the flexibility and enrichment online content offers to other subjects like social studies, art, language and music. One site that blends American history, art, geography, ecology and multicultural studies comes from the Smithsonian American Art Museum (SAAM): Campfire Stories with George Catlin: An Encounter of Two Cultures.

The site was developed by an advisory board made of teachers who selected topics that met national curriculum standards for middle and high school. George Catlin specialized in portraits of American Indians and collected numerous artifacts on his trips West. Those artifacts were chosen as the center of the project for their ability to "enrich the study of U.S. history, geography, and environmental conservation, as well as leadership and character development." There are four core themes:
  • Ancestral Lands – Indian Removal from Ancestral Lands
  • Catlin's Quest – Choices and Consequences
  • Chiefs and Leaders – Leadership Qualities
  • Western Landscape – Ecology Systems
Each theme contains art works, a timeline, maps and the wonderful "campfire stories," interviews with experts and writers like Peter Matthiessen, Wilma Mankiller, Richard Murray, Jaune Quick-to-See Smith, Wes Jackson and William Least Heat-Moon. These videos entice by making history what it really is--a series of told stories. And our students love to be told stories no matter how old they are.

There are lots of resources for teachers and the site is meant to be flexible. Teachers can just access campfire stories or other materials, search for lesson plans, or look for lessons tied to specific national standards. For example, At Home on the Prairie, a lesson that examines the Western landscape, meets National Science Education Standards in Life Science for grades 5-8 and 9-12. Lessons can be found for history, geography, art, and English language arts standards.

Transcripts of the interviews are available. To see the campfire stories, you'll need the Flash and Quicktime plugins. The home page also recommends using the Firefox browser. Campfire Stories with George Catlin won three different wards in 2003 and is a great way to bring American history alive for middle schoolers.

SOURCE: "Campfire Stories with George Catlin: Welcome Educators!" 2008
photo courtesy of Judy Breck, used under this Creative Commons license

Wednesday, April 30, 2008

How to Go Global on a School Budget

The goal: to connect your middle schoolers with experts, students, teachers and citizens around the country and world. The obstacle: your school's budget. But Alexander Russo reports in Edutopia that, using the Flat Classroom Project as an example, teachers can create global education projects with on-hand and free resources.

Russo tells teachers to start close to home, in their schools and communities. Teachers can tap other teachers and students, local businesses or cultural organizations, like churches, that have some connection to another country or region. One example comes from the small, rural town of Mathis, TX, where a new international studies school "discovered that a local company was selling cattle guards to India. The business owner helped explain to the class how the relationship with an overseas buyer works, along with the logistical and cultural issues." Starting close to home not only cuts costs but also helps teachers focus on content rather than webcams, microphones and projectors. Focus on "a meaningful, skill-developing experience, not just a virtual field trip that is pleasant but not particularly deep or rigorous," Russo writes.

And there are a lot of free tools available for all kinds of global or international projects. Wikis, podcasts, and Google Earth are familiar tools for sharing and working across borders and time zones. Nings, also free and with multimedia capabilities, allow students to connect and share in a controlled space, vital for middle schoolers. Scheduling can be coordinated with AirSet, a free online program. FlashMeeting provides free videoconferencing, even for schools with low bandwidth. ePals offers free learning communities that teachers can control and monitor. Many schools are already using ePals for all kinds of learning projects and needs.

For somewhat minimal fees, depending on your school's resources, teachers can also tap iEARN and Journeys in Film. iEARN, International Education and Resource Network, coordinates collaborative projects for $100 per teacher or $400 for an entire school. As many as 20,000 educators are part of iEARN's learning communities. If your school has no online connections, Journeys in Film offers lesson plans to use with international films to bring the world to your students. Journeys in Film charges $75 per teaching guide or $250 for a set of four.

Other sites that have resources for global projects include the Global Educational Collaborative, a social-networking site for teachers; the Apple Learning Exchange, an online community maintained by Apple; and Global SchoolNet, a site that offers project learning exchanges on the Internet.

SOURCE: "Global Education On a Dime: A Low-Cost Way to Connect" 11/12/07
photo courtesy of Gaetan Lee, used under this Creative Commons license

Tuesday, April 29, 2008

NASA's Digital Learning Network


News Blaze reports that Wednesday, April 30, middle schoolers across the country will connect with NASA astronauts. The Goddard Space Flight Center in Greenbelt, MD, will coordinate and "host" the free event.

NASA's Digital Learning Network (DLN) offers fee webcasts and interactive videoconferences to connect students and teachers around the world with NASA experts. The DLN's primary goal is to bring high-quality and "unique" STEM (science, technology, engineering, and math) content to K-12 educators and students. At the DLN website, you can search the catalogue for other free, interactive programs for students at any grade level.

Wednesday, students from Junior High School 145 Arturo Toscanini, Bronx, New York; Brenham Junior High School, Brenham, Texas; South Puget Intertribal Planning Agency, Shelton, Washington; Greencastle-Antrim Middle School, Greencastle, Pennsylvania; Middle School at Parkside, Jackson, Michigan; and other middle school students that have been invited to the Goddard Space Flight Center will participate in the webcast. (Greencastle-Antrim and Middle School at Parkside are NASA Explorer Schools.) The webcast will start at 1:15 PM EDT. All the students will be connected to the space shuttle crew that will service the Hubble Space Telescope. The crew will discuss the STS-125 mission to work on the telescope. They will also talk to students about the diversity of the crew and their educational and professional careers. This highlights one of the great side benefits of these kinds of NASA webcasts -- students get to experience remote mentoring to encourage and tempt them to investigate STEM studies and careers.

At the DLN website, you can search for other free programs, look at event guidelines and register for future events. The site also has links for the event catalogue, podcasts, and additional tools and plugins to make connecting middle schoolers and NASA experts easier. NASA has a lot of other great resources for K-12 education, almost all of them free.

SOURCE: "Astronauts to Make Virtual Connection With Students" 2008
Public domain photo courtesy of Library of Congress via pingnews.

LIVEbrary Lesson Plan #7: Cowboys and Coffin Makers

LIVEbrary Lesson Plan #7:
"Children at Work
in the 19th Century"

(for a colorful, downloadable PDF version, click here)

Topic/Subject: World History
Age Range: 9-13
Grade Level: 4-8

Contents:
- Reading
- Assignment
- Quiz
- Discussion Questions
__________________________________________________

READING:

"Children at Work in the 19th Century"
an excerpt from the book
COWBOYS AND COFFIN MAKERS:
One Hundred 19th-Century Jobs
You Might Have Feared or Fancied

by Laurie Coulter
Published by Annick Press.
Reprinted here with permission.

~ The Most Beautiful Sight ~

Asa Candler, a soft drink manufacturer, once wrote, "The most beautiful sight we see is the child at labor." He wasn't talking about homework.

Child labor in the Victorian age was considered normal and necessary. Businessmen like Mr. Candler could pay working-class children lower wages than adults and boss them around more easily. Politicians knew that fast-growing industries needed cheap workers for 10- to 12-hour-a-day unskilled jobs. When factory owners broke the few child labor laws that did exist, politicians looked the other way.

Didn't children have to go to school? Not necessarily. In the first half of the century, parents who could afford it sent their children to private schools. State-funded, free public schools began opening in the 1830s. Slave children weren't allowed to learn to read and write. By 1889 most states had passed laws making it compulsory for children to go to school, although the laws weren't always enforced.

Boys and girls were burnt, cut, mangled, and poisoned in accidents on the job. But then, adults were burnt, cut, mangled, and poisoned on the job too. It wasn't until late in the century that children began to be treated as children rather than small adults.

~ Forced Laborer ~

African-American slaves in the 19th century performed many jobs from laundress to skilled craftsperson. In 1860, three-quarters of slave laborers worked on the land. Only a small minority worked in mills, ironworks, and machine shops. The wealth of Southern slave states came mainly from agriculture, not industry.

If you are doing railroad work for the Union Pacific pushing east from California, you are probably a Chinese immigrant. If you work for the Central Pacific railroad heading west from Nebraska, you are likely an Irish immigrant or an ex-soldier.

As a Native American, you do the hard, dirty work that Anglos don't want to do. Under an 1850 California state law, you have been arrested for being a dangerous "vagrant" -- this is someone who doesn't have a job and is considered a public nuisance. In your case, the law is an excuse for forcing you to work on a farm or in a mine. Native children are also seized and forced to work.

A group of kidnappers with nine children under the age of 10 once claimed that they had taken the children as "an act of charity" because their parents had been killed. They were asked how they knew the parents were dead. "I killed some of them myself," replied one man.

By 1870 the Native-American population of California had fallen to 30,000 from about 150,000 in 1848, as a result of racial violence, forced labor, and epidemics.

~ Jobs for Boys and Men ~


Boys began their apprenticeship in a trade as early as the age of 10. As preteens, they went to war as drummer boys and buglers. They also carried drinking water to train passengers, sold newspapers, worked as night messengers and office boys, and toiled in the cotton mills and coal mines. Boys on farms were expected to pitch in and were often hired out to other farmers.

Canal Hoggee


You are the least important worker on the new canals, but without you, the boats wouldn't move. Canal boats are towed by two or three horses that walk along a towpath beside the canal. Your job is to lead the horses for about four hours at a time; then another driver and team take over. Sometimes the relief horses are kept on board and sometimes they are waiting in a shed along the way.

Like you, many hoggees are boys, some as young as 12. Most of the time, the captain is telling you to hurry up, so you look forward to stopping for a while at a lock -- one of the watery "steps" inside gates that let boats move up- or downhill.

As your canal boat waits its turn, you sing with the crews of other barges in line. Your favorite song is "The Raging Canal." You particularly like the lines, "We trusted to our driver, although he was but small, for he knew all the windings of that raging canal." (Probably best not to think about a later verse where he and his team fall into the canal during a storm and the horses drown.)

Railroad Laborer


You are a laborer on one of the construction crews building the transcontinental railroad in the late 1860s. Building the line is backbreaking labor done mostly by hand.

Engineers and surveyors stake out the exact route. You cut down trees, blast through foothills with explosives, and dig tunnels through granite mountains so hard that it takes a day to drill eight inches (20 cm). Once the roadbed is level, you put down the tracks.

You work fast. The government has turned the building of the line into a race between two railway companies. The one that builds the most track will make the most money. On the Plains, your crew can put down the wooden ties, lay the heavy iron rails on top, pound the spikes into the rails, and bolt on the connecting plates as quickly as a man can walk.

~ Jobs for Girls and Women ~


Girls worked as street vendors selling matches, flowers, or hot corn, and as babysitters for their younger sisters and brothers while their parents worked. Girls on farms were expected to do chores and were sometimes hired out to other farmers for field or house work.

Laundress

During the gold rush, you run a successful business washing men's clothes. In the days before washing machines, doing the laundry is long, hard work, usually women's work.

Here's how to do it; haul water in pails from a lake, creek, or well. Fill a large washtub. Use a washboard to scrub the dirt out of the clothes with soap. Boil the clothes in an iron pot over a fire, then rinse them in another pot. After wringing out the wet clothes, hang them to dry. Heat up the heavy iron over a fire and press out the wrinkles. Repeat last step many times.

In 1825, Hannah Montague of Troy, New York, became so tired of washing her husband's shirts when only the collar was dirty that she invented a detachable collar. Less imaginative women who could afford it hired a laundress.

Telephone Operator

You are excited to be one of the first telephone operators, a new career for women. On your head you wear a metal-and-rubber headset that connects you to the switchboard in front of you. Your job is to connect and disconnect callers with cords and plugs. You must have a nice speaking voice and be "ladylike" talking to customers -- no rude sighs or hanging up. Callers ask all sorts of questions, the most common one being, "What time is it, please?"

You could be promoted after many years to chief operator or office manager. However, because this is "women's work," your salary is kept low. The company assumes that you live with your parents and will leave as soon as you find a husband, so you don't qualify for a "family wage" as men do.

In 1876, only 3,000 telephones exist in the United States. By 1900, there are 1.4 million. Now that's a big business!

# # #

Copyright 2007 by Laurie Coulter. Excerpted from the book, COWBOYS AND COFFIN MAKERS: One Hundred 19th-Century Jobs You Might Have Feared or Fancied." Published by Annick Press, ISBN 9781554510689 (library binding), ISBN 9781554510672 (paperback). Reprinted with permission. For more information, please visit http://www.annickpress.com. Thank you.
__________________________________________________

ASSIGNMENT

Kids' Work in the 21st Century

Laurie Coulter wrote about children's work in the 19th century, from the canal era at the beginning of the 1800s to the railroad era at the end of the 1800s.

Your assignment is to write about children's work in the 21st century. That's now. What kinds of jobs are children allowed to do today? What trends do you see? Are there new jobs for children that didn't exist way back in the 1990s?

Divide your classroom into teams of one to five persons. With your team members, write down as many jobs as you can think of that children have today. That will be the opening paragraph of your history of "Kids' Work in the 21st Century."

Next, assign each team member to write about one job on your list. Try to write about the job the same way Laurie Coulter does in the reading selection. For example, for the job, Newspaper Delivery Person, you might begin like this:

You get out of bed when it's still dark, before your brothers and sisters, before your parents or grandparents. You ride your bike through dark streets until you reach the newspaper station. You roll up dozens of newspapers into plastic bags because it might rain and people don't want their papers to get wet. Etc.

Each team turns in a final history that includes the job list and one job description from every team member. How many different jobs did the class come up with? What was the most unusual one? What are the hardest jobs? What are the easiest jobs? Are kids' jobs still segregated by gender into "boys' jobs" and "girls' jobs"? How is 21st-century children's work different from 19th-century children's work?
__________________________________________________

QUIZ:

NOTE: Quiz answers are available to teachers upon request from LIVEbrary@annickpress.com. Quiz answers will be revealed during the live Skype Chats and made a part of the Skype Chat Transcripts.

1) Multiple Choice. Which is the best definition for the term, "canal hoggee"?

A. A long, skinny sandwich.
B. A pig that eats the weeds growing on canal embankments.
C. A boat captain trained to sail boats through canals.
D. Someone who guides the horses that pull boats through canals.

2) Matching. For each job listed, indicate whether it was considered a "boy's job" or a "girl's job" or both in the 19th century.

A. newspaper seller
B. hot corn seller
C. babysitter
D. farm chores
E. war drummer

3) Matching. Much hard labor in 19th-century North America was done by slaves, indentured servants, prisoners, immigrants, and Native Americans for little or no wages. Match the groups (numbers) with the jobs they most often did (letters) in the two lists, below.

1. Native Americans
2. Slaves
3. Irish Immigrants
4. Chinese Immigrants

A. Agricultural Labor in the South
B. Railroad Labor in the West
C. Railroad Labor in the East
D. Farm or Mine Labor in the West

4) Multiple Choice. What is Hannah Montague best known for?

A. Inventor of the detachable shirt collar.
B. Inventor of the washing machine.
C. Inventor of the telephone switchboard.
D. Inventor of the foot-long "canal hoggee" sandwich.

5) Multiple Choice. At the beginning of the 19th century, no one had a phone. How many people in the United States had phone lines at the end of the century?

A. Four
B. Four Hundred
C. Four Hundred Thousand
D. One Million, Four Hundred Thousand
__________________________________________________

DISCUSSION QUESTIONS:

  • Should children be allowed to work? What are the benefits of having children in the workplace and what are the drawbacks? Should there be any limits on the kind of work children are allowed to do? What sort of limits would you suggest?

  • Are jobs still divided by gender? What jobs are still all or mostly female? What jobs are still all or mostly male? Do you think it's fair to segregate jobs by gender?

  • Can you think of anywhere in the world that children are forced to work? Where? What kinds of work do they do? Can you find the name of an organization that is working to end forced labor?

  • Do you have any jobs now? Do you have paying work? Do you have non-paying work you must do? What work do you like? What work do you hate? Do you have a choice whether to work or not?

  • If you had to choose, would you rather have a job that's fun or a job that pays well? When you finish your schooling some day, what job or work or career would you like to pursue? Why?
__________________________________________________

Copyright 2008 by Annick Press. All rights reserved. Printed here with permission of the publisher. Please request permission from LIVEbrary@annickpress.com before posting this lesson plan in any public place. Thank you.

Introducing Laurie Coulter


Laurie Coulter is the author of five books for young people. Her latest is COWBOYS AND COFFIN MAKERS: One Hundred 19th-Century Jobs You Might Have Feared or Fancied, published by Annick Press. She's also in the LIVEbrary On Demand program, which means you can invite her to your school or library for an Online Classroom Visit. And we've just released a LIVEbrary Lesson Plan to go with Laurie's visit. The plan is designed for World History students at the middle school and junior high school level. Check it out when you have a chance. In the meantime, here's a little background on Laurie Coulter.

Laurie grew up in London and Toronto, Ontario. During winters as a child, she pretended to be a figure skater on a backyard rink, took ballet lessons, and tobogganed in the park across from her house. In the summers at her family's cottage, she and her friends swam, sailed, water-skied, made terrible pizzas, and tried, unsuccessfully, to row around the lake.

Laurie's parents encouraged her to read and draw. When she was a child, she took art lessons and liked drawing more than writing. She loved reading, though, and she and her best friend visited the bookmobile every Thursday after school.

Mrs. Jones, her grade 11 English teacher, encouraged her to write after reading a story she wrote. Laurie began writing poetry at that time as well. In university, she helped a friend with an essay and discovered a second way to play with words -- editing. After graduating from university, she wrote ads and articles for a company that published business magazines. Most of her career, though, has been spent as a book editor, helping authors improve their manuscripts or photographers choose photographs for their books. When she first began writing books, it seemed strange being a book's author rather than its editor!

In her spare time, Laurie likes gardening, canoeing, hiking, visiting zoos and museums, playing badminton and board games, reading, and doing crossword puzzles. Laurie has two children and lives in Toronto, Ontario.

Monday, April 28, 2008

Maile Peachey: The Boalsburg Grant Project

In another great Education World profile, Cara Bafile introduces us to Maile Peachey and Corl Street Elementary School's Boalsburg Grant Project. The fifth grade students study history in a way that belies the usual "nothing exciting every happens where I live" mantra you can often hear from middle schoolers. Though the project has not been updated in a few years, it is still a great model for similar projects and the webpages produced are still available on the Web.

decided to center their project around As Peachey and fellow teacher Loretta Jeffreys (now retired) talked about creating a project, they knew they wanted to avoid just looking at Penn State and State College, Pennsylvania, as a college town. With lots of historical sites all around the State College area, Peachey and JeffreysBoalsburg, PA, the birthplace of Memorial Day.

A Pennsylvania Digital Grassroots grant supplied the computers and digital video cameras needed and the project was off and running. To get students involved in "documenting the past, present, and future of historic Boalsburg, Pennsylvania, on the Internet," Peachey explained, they had to learn "such skills in technology as designing Web pages, creating and editing movies using digital cameras and iMovie software on Mac computers, using scanners, exporting photos in jpeg format to the Internet, and linking other related Web sites."

The fifth graders at Corl Street have no American History or language arts textbooks. Articles, simulations, discussions, videos, guest speakers, and projects are used instead. Students also visit local historical sites. Two fifth grade classes discuss the project as a whole then break into smaller groups to work on specific topics and projects as part of the overall Boalsburg Grant Project. Multiple web pages were produced each year. Those pages and updates are available at this website.

Peachey told Bafile that she especially liked that the bulk of the work on over 100 webpages was done by the fifth graders themselves: "They took ownership of the project and felt great pride about what they accomplished. Each student came away feeling that important people and events really are located near them, not just in places typically discussed in history textbooks." Her advice to other teachers is to not shy away from a big idea or big project. Projects like the Boalsburg Grant Project excite all students regardless of learning style or even ability level. Plus, "it creates fun, happy memories and learning that lasts!" This project is a great model for integrating middle school social studies, local history, language arts, and many Web 2.0 tools.

SOURCE: "Teacher Feature Starring: Maile Peachey" 5/16/05
photo courtesy of Jeff Kubina, used under this Creative Commons license